- PhD in Italian Studies, New York University
- MA in Italian Studies, New York University
- BA in Italian Literature and Culture, Northwestern University
Genre-Bending in Early Modern Performative Culture, ed. Jessica Goethals and Eugenio Refini. Special issue of The Italianist 40.3 (2020).
“Worth its Salt: Margherita Costa’s Ridiculous Defence of Buffoonery,” for Genre-Bending in Early Modern Performative Culture, special issue of The Italianist 40.3 (2020): 362-81.
“The Singing Saint: The Martyrdom of St. Cecilia in Seventeenth-Century Literature and Theater.” In Women Language Literature in Italy/Donne Lingua Letteratura in Italia II (2020): 43-61.
“Sack of Rome (1527).” In Oxford Bibliographies in Renaissance and Reformation. Ed. Margaret King. New York: Oxford University Press, 2019.
Margherita Costa. The Buffoons, A Ridiculous Comedy. A Bilingual Edition. Edited and translated by Sara Diaz and Jessica Goethals. The Other Voice in Early Modern Europe. Toronto: ITER; Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2018.
“The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France,” Renaissance Quarterly 70.4 (2017): 1397-1448. Winner of the Renaissance Society of America’s William Nelson Prize for best article published in RQ in 2017.
“The Bizarre Muse: The Literary Persona of Margherita Costa,” Early Modern Women: An Interdisciplinary Journal 12.1 (2017): 48-72. Winner of EMWJ‘s Best Article Prize for volume 12 (2017-2018).
“Performance, Print, and the Italian Wars: Poemetti Bellici and the Case of Eustachio Celebrino,” in Interactions between Orality and Writing in Early Modern Italian Culture. Edited by Luca Degl’Innocenti, Brian Richardson, Chiara Sbordoni. Routledge, 2016.
“The Flowers of Italian Literature: Language, Imitation, and Gender Debates in Paolo Giovio’s Dialogus de viris et foeminis aetate nostra florentibus” Renaissance Studies 29.5 (November 2015): 749-71.
“Vanquished Bodies, Weaponized Words: Pietro Aretino’s Conflicting Portraits of the Sexes and the Sack of Rome,” in “Gender in Early Modern Rome,” ed. by Julia L. Hairston, special issue, I Tatti Studies in the Italian Renaissance 17.1 (Spring 2014): 55-78.
“Spectators of the Sack: Rhetorical ‘Particularity’ and Graphic Violence in Luigi Guicciardini’s Historia del sacco di Roma,” Italian Studies 68.2 (July 2013): 175-201.
Power and Image in Early Modern Europe, edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang. Newcastle upon Tyne: Cambridge Scholars Press, 2008.