Tuesday, 12:30pm-1:45pm; Tuesday, 3:30pm-4:45pm; Thursday, 12:30pm-1:45pm; or by appointment
Ph.D. (Spanish), University of Wisconsin-Madison
M.A. (Spanish), University of Wisconsin-Madison
M.A. (Translation Studies), University of Wisconsin-Milwaukee
B.A. (Spanish), Truman State University
Micah McKay is an Assistant Professor of Spanish who specializes in 20th- and 21st-century Latin American literature and culture. His research lies at the intersection of environmental discourse and cultural production and aims to frame contemporary Latin American literature and film in the context of the Anthropocene. He has published several essays on the presence of trash, garbage dumps, and waste workers in Latin American narrative and film. His other research interests include biopolitics, critical animal studies, posthumanism, and urban studies. In addition to classes on trash and culture, he teaches introductory survey courses on Latin American culture and literature and advanced undergraduate and graduate courses on narrative, film, and literary theory.
Environmental Cultural Studies Through Time: The Luso-Hispanic World. Co-edited with Kata Beilin and Kathleen Connolly, Hispanic Issues On Line (U of Minnesota P), vol. 24, 2019.
“Una imagen deliciosa sobre los escombros: la producción y estética de las ruinas en Trilogía sucia de La Habana.” Romance Notes, vol. 59, no. 2, 2019, pp. 349-60
“Trash and the Coming Community: Portrayals of Trash and Trash Workers in Argentina and Brazil.” Environmental Cultural Studies Through Time: The Luso-Hispanic World, Edited by Kata Beilin, Kathleen Connolly, and Micah McKay, Hispanic Issues On Line (U of Minnesota P), vol. 24, 2019, pp. 45-64.
“The Littered City: Trash and Neoliberal Urban Space in El aire, Bariloche, and La villa.” Revista Canadiense de Estudios Hispánicos, vol. 41, no. 3, 2017, pp. 597-620.
“‘Deus, salve a América’: Ignácio de Loyola Brandão’s Zero and the Production of Trash.” Chasqui: revista de literatura latinoamericana, vol. 46, no. 2, 2017, pp. 144-60.
“Documenting Jardim Gramacho: Estamira (2004) and Waste Land (2009).” Luso-Brazilian Review, vol. 53, no. 2, 2016, pp. 134-52.