Dr. Jessica Goethals’ co-edited special journal issue of “The Italianist:” “Genre-Bending in Early Modern Performative Culture”

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Jessica Goethals’ and Eugenio Refini’s co-edited special journal edition Genre-Bending in Early Modern Performative Culture, was published by The Italianist in 2020 as issue 40.3. The issue also contains Dr. Goethals’ article, “Worth its Salt: Margherita Costa’s Ridiculous Defence of Buffoonery.” […]

Read Moreabout Dr. Jessica Goethals’ co-edited special journal issue of “The Italianist:” “Genre-Bending in Early Modern Performative Culture”

“Do Comedies All (Have to) End Happily? Scenes from Shakespeare, Machiavelli, and their Contemporaries” with Jane Tylus (Yale University) (‘Comic Relief: Making the Best of Things in the Italian Tradition’ webinar series)

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Read Moreabout “Do Comedies All (Have to) End Happily? Scenes from Shakespeare, Machiavelli, and their Contemporaries” with Jane Tylus (Yale University) (‘Comic Relief: Making the Best of Things in the Italian Tradition’ webinar series)

Dr. Goethals’ critical edition and translation with Sara Díaz of Margherita Costa’s The Buffoons, A Ridiculous Comedy appeared

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 Dr. Goethals’ critical edition and translation, with Sara Díaz, of Margherita Costa’s The Buffoons, A Ridiculous Comedy appeared. The bilingual edition is published by the Arizona Center for Medieval and Renaissance Studies. This work received an Honorable Mention award for the Best Translated Edition of a Work on Women and Gender Published in 2018.  The […]

Read Moreabout Dr. Goethals’ critical edition and translation with Sara Díaz of Margherita Costa’s The Buffoons, A Ridiculous Comedy appeared