Tuesday and Thursday 10:00am-11:00am, and by appointment
PhD in Italian Studies, New York University
MA in Italian Studies, New York University
BA in Italian Literature and Culture, Northwestern University
Dr. Goethals’ research centers on medieval and early modern literature and theater, focusing especially on the relationship between military-historical events and their literary representations across genres; gender and women’s writing; the intersection of print, manuscript, and performative media, with an interest in reading publics and theatrical spaces; mysticism, prophecy, and eschatology; and rhetoric.
She is currently writing a book on the seventeenth-century Italian opera singer and prolific writer, Margherita Costa. Recent projects include a set of articles on Costa’s burlesque writing and on her equestrian ballet libretto in its Florentine and Parisian contexts.
Dr. Goethals has received long-term and postdoctoral fellowships from the Folger Shakespeare Library, Villa I Tatti—the Harvard University Center for Italian Studies, the University of Pennsylvania, and New York University, as well as grants from the Renaissance Society of America and the Gladys Krieble Delmas Foundation.
She is also the Managing Editor of the scholarly journal I Tatti Studies in the Italian Renaissance. For issues and submission information, please see our homepage with the University of Chicago Press: http://www.journals.uchicago.edu/toc/its/current
Margherita Costa. The Buffoons, A Ridiculous Comedy. A Bilingual Edition. Edited and translated by Sara Diaz and Jessica Goethals. The Other Voice in Early Modern Europe. Toronto: ITER; Tempe, AZ: Arizona Center for Medieval and Renaissance Studies (2018, forthcoming).
“The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France,” Renaissance Quarterly 70.4 (2017): 1397-1448. Winner of the Renaissance Society of America’s William Nelson prize for best article published in RQ in 2017.
“The Bizarre Muse: The Literary Persona of Margherita Costa,” Early Modern Women: An Interdisciplinary Journal 12.1 (2017): 48-72.
“Performance, Print, and the Italian Wars: Poemetti Bellici and the Case of Eustachio Celebrino,” in Interactions between Orality and Writing in Early Modern Italian Culture. Edited by Luca Degl’Innocenti, Brian Richardson, Chiara Sbordoni. Routledge, 2016.
“The Flowers of Italian Literature: Language, Imitation, and Gender Debates in Paolo Giovio’s Dialogus de viris et foeminis aetate nostra florentibus” Renaissance Studies 29.5 (November 2015): 749-71.
“Vanquished Bodies, Weaponized Words: Pietro Aretino’s Conflicting Portraits of the Sexes and the Sack of Rome,” in “Gender in Early Modern Rome,” ed. by Julia L. Hairston, special issue, I Tatti Studies in the Italian Renaissance 17.1 (Spring 2014): 55-78. By invitation.
“Spectators of the Sack: Rhetorical ‘Particularity’ and Graphic Violence in Luigi Guicciardini’s Historia del sacco di Roma,” Italian Studies 68.2 (July 2013): 175-201.
Power and Image in Early Modern Europe, edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang. Newcastle upon Tyne: Cambridge Scholars Press, 2008.